Movie review: “Bohemian Rhapsody” (2018)

Bohemian

“How many more ‘Galileos’ do you want?!”

Since it was a foregone conclusion that any review I might attempt to write for the Queen/ Freddie Mercury biopic Bohemian Rhapsody would consist of an opening excess of “full disclosure” statements, I suppose we might as well start. First: Freddie Mercury is my favorite singer of all time. Period, full stop. I don’t honestly even know who qualifies as runner-up. Most likely it is a ten-way tie, with the pack mired ten miles or so behind our winner. Beyond his famous flamboyance and extravagance, his room-leveling outward confidence and revolutionary, simultaneously invigorating and hypnotic stage presence, there is the undeniable fact of Mercury’s voice, a dynamic, multi-octave nuclear missile of near-unlimited range that unquestionably ranks among the very greatest in the history of recorded music. Continue reading “Movie review: “Bohemian Rhapsody” (2018)”

Ranking, dissecting the “Halloween” series

Halloween Main

“It’s Halloween. I guess everyone’s entitled to one good scare.”

John Carpenter’s Halloween is no easy (or advisable) act to follow. Heaven knows many have tried. Over forty years, all manner of reverent pretenders, well-intentioned imitators, and outright thieves have approached the throne, even a couple bearing Carpenter’s own tacit seal of approval. The now-eleven official Halloween films feed into a self-writing narrative concerning the blight and bloat of horror’s most lucrative, long-running franchises, and Halloween sits comfortably alongside Friday the 13th and A Nightmare on Elm Street at the top of any list of genre royalty, whether as the target of praise or scorn. Though, outside of scattered moments in the first movie and its 2018 “sequel”, Halloween has always taken itself with the utmost seriousness, the franchise’s chronic issues with continuity, motivations, and common sense have become something of a running joke. Continue reading “Ranking, dissecting the “Halloween” series”