Ranking, dissecting the “Halloween” series

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“It’s Halloween. I guess everyone’s entitled to one good scare.”

John Carpenter’s Halloween is no easy (or advisable) act to follow. Heaven knows many have tried. Over forty years, all manner of reverent pretenders, well-intentioned imitators, and outright thieves have approached the throne, even a couple bearing Carpenter’s own tacit seal of approval. The now-eleven official Halloween films feed into a self-writing narrative concerning the blight and bloat of horror’s most lucrative, long-running franchises, and Halloween sits comfortably alongside Friday the 13th and A Nightmare on Elm Street at the top of any list of genre royalty, whether as the target of praise or scorn. Though, outside of scattered moments in the first movie and its 2018 “sequel”, Halloween has always taken itself with the utmost seriousness, the franchise’s chronic issues with continuity, motivations, and common sense have become something of a running joke. Continue reading “Ranking, dissecting the “Halloween” series”

Live-blogging* the “Friday the 13th” Marathon, Ep. III – “Friday the 13th Part 3 In 3-D” (1982)

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Gateway Film Center, Columbus, Ohio – Friday, October 13, 2017*

To celebrate the most recent Friday the 13th falling in October, Columbus, Ohio’s Gateway Film Center pulled off a wonderful idea in high style: a back-to-back screening of the first four Friday the 13th films – known colloquially by many fans as “the good ones” – starting at 7:00 on the night itself and ending in Saturday the 14th’s wee hours, just like Friday the 13th Part 3 technically began. Naturally, I was second row aisle for all the carnage, and what follow are breathless, fragmented field reports from the scene, covering all the scenes that I saw fit. Read on if you’re maybe not above a little trespassing on condemned property, definitely not afraid of 3-D yo-yos, if you instinctively shrug off obscure talk downtown of a “death curse”, and know enough to come in out of the rain. We’re gonna party like Ted (Part 2) was bringing the booze and Ted (Part 4) was picking the entertainment… Continue reading “Live-blogging* the “Friday the 13th” Marathon, Ep. III – “Friday the 13th Part 3 In 3-D” (1982)”

Live-blogging* the “Friday the 13th” Marathon, Ep. II – “Friday the 13th Part 2” (1981)

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Gateway Film Center, Columbus, Ohio – Friday, October 13, 2017*

To celebrate the most recent Friday the 13th falling in October, Columbus, Ohio’s Gateway Film Center pulled off a wonderful idea in high style: a back-to-back screening of the first four Friday the 13th films – known colloquially by many fans as “the good ones” – starting at 7:00 on the night itself and ending in Saturday the 14th’s wee hours, just like Friday the 13th Part 3 technically began. Naturally, I was second row aisle for all the carnage, and what follow are breathless, fragmented field reports from the scene, covering all the scenes that I saw fit. Read on if you’re maybe not above a little trespassing on condemned property, definitely not afraid of 3-D yo-yos, if you instinctively shrug off obscure talk downtown of a “death curse”, and know enough to come in out of the rain. We’re gonna party like Ted (Part 2) was bringing the booze and Ted (Part 4) was picking the entertainment…

Continue reading “Live-blogging* the “Friday the 13th” Marathon, Ep. II – “Friday the 13th Part 2” (1981)”

Ranking, dissecting the “Friday the 13th” series

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“He neglected to mention that, downtown, they call this place ‘Camp Blood’…”

John Carpenter’s Halloween is, without question, my favorite horror movie of all time, but its rough-hewn demon spawn, Friday the 13th, actually qualifies as my favorite horror series. I’ve been thinking a lot lately, in fact, about what a surprising little swath of my adolescence and teenage years was given over to fuzzy but fond memories of watching an unstoppable killer stalk nubile teenagers around the grounds of a New Jersey summer camp. For heaven’s sake, why, might you ask? I don’t rightly know. I have always felt an instinctive attraction to things “other”, of course, and have, as a result, found myself on the defensive side of more arguments about “harmful” art and censorship and selective morality than I can properly recount (or care to). Funnily enough, I have a memory of milling about, at (approximately) the age of nine, in the upstairs of my grandparents’ grand, gothic house with two beloved cousins, ten and eight respectively, when one of them announced, “we should play Friday the 13th!” I was nonplussed. Continue reading “Ranking, dissecting the “Friday the 13th” series”