Movie review: “Knives Out” (2019)

“That’s some heavy duty conjecture…”

“It’s funny, [NAME REDACTED]. You skipped the funeral, but you’re early for the will reading.”

Movie review etiquette strongly advises I not reveal the killer whose identity lies at the heart of Knives Out, Rian Johnson’s delightful update for impatient, attention-addled contemporary audiences of the time-worn but still effective Agatha Christie “locked room” style of mystery. This is far easier said than done, since, in a fairly stunning twist that proves to be only the first of many the film will lob at us like a loaded ball machine ready for tennis practice, the culprit is actually identified around the halfway mark, yet the stately country manor house remains so conspicuously full of colorful, highly motivated suspects otherwise. Who among this snooty, sniping, self-interested rabble honestly couldn’t be a potential villain, and might they yet eventually still seize their moment, even with matters ostensibly settled? Continue reading “Movie review: “Knives Out” (2019)”