Concert review: Billy Joel

Billy Joel Performs At BB&T Center

Madison Square Garden, New York, NY – May 9, 2019

Lacking a traditional alternative to fill the role, I have long thought of music in practically religious terms. I play it; I listen to it; I know and revere its history. I share it with friends, and the bonds between us are invariably enriched by both the effort and the act. Music means the absolute world to me. Certain scientific studies have played up its druglike effects, and I suppose it’d be disingenuous as a longtime user to vociferously deny them, but I have always seen music more as a source of legitimate personal nourishment, an indispensable renewable resource, fuel or balm for the soul as needed. Rock and Roll in particular has been my constant companion since the year I turned ten, that proverbial source of comfort in times of trouble, as well as, for my money, the most damned fun you can reliably compress into the space of three minutes, or five, or twenty, or ninety, or more, however long your playlist or evening plans might dictate. I experience live music whenever plausible, and, sometimes, in my saucier moments, even take extreme measures to render the implausible possible. Think then of my journey, after near a lifetime of uninterrupted admiration, to see Billy Joel play the latest show in his historic residency at New York’s Madison Square Garden as something of a pilgrimage: Continue reading “Concert review: Billy Joel”

Movie review: “Pet Sematary” (2019)

Pet Sematary

“But it’s all okay. You’re back now.”

“Back from where?”

The specter of unimaginable loss hangs, as it should, like a pall over Pet Sematary – not merely the loss of a beloved pet, say, which would be awful enough on its own; nor the loss of a sibling, maybe one you loved, or maybe one of whom you were scared enough as a little kid to secretly, shamefully, wish dead; nor the loss of a spouse, nor a parent, nor, worst of all, the sudden and heartbreaking loss of a child – but of everything, the loss of seemingly everything you ever loved and fought for all at once, crumbling away to nothing before your frantic, helpless, unbelieving eyes. What would you do in that moment, honestly, without the benefit of foresight or rational thought, to get it all back? Wouldn’t you do anything? Kevin Kolsch and Dennis Widmyer’s stoic horror parable touches the heart with a clammy, room temperature hand and presses down firmly, until our breathing is rendered involuntarily shallow. Continue reading “Movie review: “Pet Sematary” (2019)”

Miscellanity #2 (5/2/19): The Revenge of “Capacity Weekend”

miscellanity 2

Of all the ideas for which I’ve sent up trial balloons over the five years and counting of darkadaptedeye.org – such as “Musings Deathmatch”, where I compare and contrast different versions of the same property (essentially an original vs. reboot firing range), or “Pilot to Bombardier”, where I review TV pilots three at a time in an attempt to determine whether or not to tackle the series proper – the one I most hoped would turn into a recurring item was always “Miscellanity”. Structured as a potpourri of snap reactions to an unreasonable number of pop culture, concerts, and/or sporting events dropping or landing or taking place within a limited time window, usually the course of a single weekend, “Miscellanity” posts are quick hitter compilations (for this blog anyway) – comparatively fast to write (though not this time), theoretically fun to read (knock on wood) – not necessarily designed to induce whiplash, though the risk is always present. They are also indicative of a life well-lived for a goof like me, Continue reading “Miscellanity #2 (5/2/19): The Revenge of “Capacity Weekend””