Of all the ideas for which I’ve sent up trial balloons over the five years and counting of darkadaptedeye.org – such as “Musings Deathmatch”, where I compare and contrast different versions of the same property (essentially an original vs. reboot firing range), or “Pilot to Bombardier”, where I review TV pilots three at a time in an attempt to determine whether or not to tackle the series proper – the one I most hoped would turn into a recurring item was always “Miscellanity”. Structured as a potpourri of snap reactions to an unreasonable number of pop culture, concerts, and/or sporting events dropping or landing or taking place within a limited time window, usually the course of a single weekend, “Miscellanity” posts are quick hitter compilations (for this blog anyway) – comparatively fast to write (though not this time), theoretically fun to read (knock on wood) – not necessarily designed to induce whiplash, though the risk is always present. They are also indicative of a life well-lived for a goof like me, Continue reading “Miscellanity #2 (5/2/19): The Revenge of “Capacity Weekend”” →
Of the twenty-five components that comprise my annual top twenty album list (there are actually twenty-nine if you count ordering/re-ordering the individual lists as I write about them), this intro section is, counterintuitively, the one I tend to care about the least. It’s usually written very late in what, having traditionally started in early December and ending heaven only knows when, has by that point been a lengthy and fairly exhausting process. For this 2018 list, it came in dead last, which I admit might seem an odd way of putting your best foot forward as a writer. To be fair, and by way of context, I finished six other posts in the two months flat it took me to bring the following countdown through to fruition, comprising an approximate (and puny!) combined total of 11,000 (additional) words. I also supervised the fifth anniversary relaunch of my/this beloved little backwater, including its long-threatened change of address to the theoretically easier to say/type/remember URL www.darkadaptedeye.org, and the criminally overdue renovation of its former offensively junior varsity digs. Continue reading “My Top 20 Albums of 2018 + Supplemental Lists” →
Obligatory disclaimer: What follows is my latest list of highly specific things I like, presented in the order I like them. This list makes no allowances for anyone’s taste but my own, nor for colossal, head-slappingly obvious omissions, of which, I’m sure, there are many. It’s pretty much as complete as it’s ever gonna get. By reading further, you absolve me, the author, from any liability related to your potentially scarred psyche – permanently furrowed brows, heart palpitations, etc. Feedback on your own favorites, or what I got wrong or right (or wrong), is both welcome and encouraged.
In a different time, under different circumstances, I might have been one of those outdoor kids so romanticized in fiction, parenting guides, and modern television commercials touting youth activity (in my day, the NFL sadly couldn’t be bothered to help motivate my butt off the couch). Ideally, I would’ve been off running through a field somewhere, or climbing trees, catching crawdads down at the creek bed or building forts with my little friends. Instead, I was the shy latchkey kid of a hardworking, divorced parent, often left to my own devices and largely bereft of friends. So I spent my childhood diligently making my own fun. I liked watching sports, but didn’t play any except youth soccer and backyard basketball. I loved to read and listen to music, and spent an awful lot of time formulating what would become lifelong passions at the feet of MTV and HBO. I never felt deprived. HBO in particular would prove to be a seminal influence, and among its specialties in the 1980s were movies, boxing, and stand-up comedy. I’ve already spoken a time or four here on the first two topics, but comedy proved no less influential on me growing up. Continue reading “The Top Ten (+5): New millennium stand-up comedy albums” →