Post No. 125: Alone in the Dark

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Every 25th post, darkadaptedeye takes a planned break from normal business to plumb the shallow depths of its author’s psyche and/or overtly explore the locked attic of memories it only ever really dabbles in otherwise. You might think of it as a pit stop, or maybe a soft reboot. In “Danse Macabre”, Stephen King termed his own such digression “An Annoying Autobiographical Pause”, which I choose to think was kind of charming. Please know I take seriously the challenge of making patent self-indulgence interesting – actual results be damned – and I appreciate you being game. We’ll return to our irregularly scheduled programming shortly…

There is a point to this: what we see, what we hear…what we experience, and how we feel while doing so. It is a vital and inescapable part of being alive. Not only wouldn’t I have it any other way, such an “other way” simply isn’t an option, or at least not for me. The second weekend in November, as you are no doubt well aware, terrorist gunmen inflicted horrible casualties on a coordinated group of targets in Paris, France, including a packed concert by raucous American desert rock institution the Eagles of Death Metal. Due to the time difference, the eastern part of the United States received the news in the wee hours of Saturday morning. I was stunned, as I’m sure were we all, and took the moment, while devouring whatever breaking information on the shootings I could find, to spin EoDM’s new album, Zipper Down, for what was, shamefully, the first full time since a friend had gifted it to me the previous month. It made for a weird but poignant DIY elegy. Continue reading “Post No. 125: Alone in the Dark”

Scott Weiland: An Appreciation

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“STP last night was one of those rare shows where you strain in hindsight to think of ways it could’ve been much better and come up with air, outside of ‘oh, they didn’t play obscure song A…’ Who cares, when you notice at a particularly heightened moment that 4000 people are singing the lyrics to ‘Plush’ in unison? So good to have them back, happy, energetic, rocking, in full bloom. Great night with Nick and D.”   -Personal Facebook entry, 8/18/10.

Late Stone Temple Pilots frontman Scott Weiland was just one of those guys, a soul so historically troubled by issues with drug abuse that his end, when it eventually came, would inevitably be heralded online in a procession of shared news links, more often than not containing personal notes to the effect of, “Sad, but not surprising.” Yet, the news of his passing, received ignominiously in just that sort of sober outpouring via my Facebook newsfeed at, like, 2:30 this morning, nevertheless hit me like a punch to the gut. Continue reading “Scott Weiland: An Appreciation”

Steelers Thoughts #11 (11/30/15): Deep Breathing Exercises

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So, Thanksgiving happened. My apologies for not sending along official season’s greetings wishes in a more timely, graceful, or obviously heartfelt manner, but real life intervened/interfered, as it does so often. Around these parts, owing in equal measure to outside influences and internal convolution, ideas tend to form and arrive on one of two schedules: preemptive or procrastination. I hope you had the finest and fullest of turkey days and experienced the very blackest of Fridays, that you had sufficient opportunity to bask in the loving glow of your family and/or friends and/or 42” television, and that all participants survived the experience with their limbs, digits, and senses of humor intact. Like most holidays, the extended Thanksgiving stopover requires from me a decent bit of driving to get from central Ohio to east Tennessee and back again. It’s a journey I’ve taken so many times now that it’s practically imprinted in my DNA, and, horror of horrors, the return trip falls, far more often than not, on Sunday afternoon. Nothing has the potential to add figurative hours of teeth-gnashing, blood vessel-popping hilarity to the several actual hours you’ve invested in returning home than listening to Pittsburgh Steeler football in real time, Continue reading “Steelers Thoughts #11 (11/30/15): Deep Breathing Exercises”

Beauty before age: Saul “Canelo” Alvarez UD12 Miguel Cotto

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Once imagined as an answered prayer, the long-awaited showdown between the two greatest fighters of this generation, Floyd Mayweather and Manny Pacquiao, was instead a fairly epic failure, widely purchased and even more widely reviled, and, months later, lingers as a topic of uncomfortable conversation and a general pox on the house of boxing. Gun-shy consumers still smarting in the aftermath of May’s grand non-event voted with their shuttered wallets when offered the opportunity earlier this fall to anoint a new pay-per-view star, Kazakh destroyer Gennady Golovkin. Even from the perspective of someone who did not buy that fight card live, or particularly feel it PPV-worthy, it was still a disappointing result, despite solid in ring efforts at the top from Golovkin and direct support Roman Gonzalez, the post-Floyd world’s current #1 pound for pound entrant. Continue reading “Beauty before age: Saul “Canelo” Alvarez UD12 Miguel Cotto”

DVR Hindsight #14 (11/17/15): Gotham and/or/vs. Supergirl

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Batman and Superman aren’t only doing battle on movie screens next summer. In the relative calm before the computer-generated storm that will be Batman vs. Superman: Dawn of Justice, they are already fighting by proxy on television as their B-teams (for the latter, his fair-haired, similarly-powered, older cousin and assorted cross-overs/hangers-on; for the former, no less than the collected origin stories of the caped crusader, police commissioner Jim Gordon, and the top two to three tiers of his infamous “rogue’s gallery” of enemies) take a field that a, scant few years ago, contained the barest trace of superhero DNA and no horizon to speak of, but today boasts no fewer than six separate shows (and even more if you count streaming services). “Batman vs. Superman” has been a passionate and evergreen alpha-hero debate among comic book fans for more than twice as long as I’ve been alive, but this latest round, willed into existence and shoehorned clumsily into place by the rivalry between two of the biggest networks on broadcast television, just doesn’t have a consequential feel to it yet. Continue reading “DVR Hindsight #14 (11/17/15): Gotham and/or/vs. Supergirl”

Movie review: “Spectre” (2015)

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“You are a kite dancing in a hurricane, Mr. Bond…”

Even as it ostensibly seeks to promote him, the world press, particularly its internet contingent, sometimes seems in an awful rush to retire James Bond, if not bury him outright. It shares, in this odd attitude, some measure of common cause with his equally rash, often overmatched on-screen adversaries, which is ironic and also not a little apt, seeing as neither party ever seems capable of shutting up at the moment it might prove most to his advantage. In the months leading up to the release of Bond’s 24th official outing, the beleaguered but oft bedeviling Spectre, the air online has been choked with complaints and conjecture of multiple, maddening, often intertwining varieties. This is, of course, part and parcel anymore to the promotion of any “event” film existing at the rarified level of a new Bond, but all the counter-programming and cross-channel squawking this time around felt, to me, excessive and desperate, grossly and instantly. Continue reading “Movie review: “Spectre” (2015)”

The tics, twists, and Pavlovian bells of “Rock Band 4”

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So it’s come to this. In a week literally bookended for me by two concerts in two states (one of which you’ll hear tell eventually and the other of which was perfectly awesome, but too short and sweet to fit this format), a mere four days removed from a month that is essentially a rolling, 31-day horror film festival, with my childhood favorite baseball team having just been brutally, decisively removed from World Series contention (Thank you so much for this year, Mets!) and my childhood favorite football team dealing with critically uneven play from its franchise QB fresh off the disabled list even as its league best RB goes down to a heartrending, season-ending injury, have I somehow run out of things to talk about? Nah. It’s just that I’ve found this new thing, this one time. Continue reading “The tics, twists, and Pavlovian bells of “Rock Band 4””

Movie review: “Halloween” (1978)

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“Does anyone live here?”

“Not since ‘63, when it happened. Every kid in Haddonfield thinks this place is haunted.”

“They may be right.”

The first glimpse of daylight, a commodity that will prove both precious and fleeting, comes at the 11-minute mark of Halloween, as director John Carpenter finally sets his scene in the sleepy town of Haddonfield, Illinois. Leaves rustle and blow down the tree-lined, kid-dotted sidewalks of suburbia. The sky is seriously overcast, but still can’t help feeling like an improvement, or an oasis. This comforting and innocuous first look comes on the heels of three consecutive sequences – an ominous, slow developing close-up, a shocking murder, and a nerve-rattling escape – justly famous in the annals of horror history, and though the differences that separate Halloween from the many progeny it would either directly spawn or spiritually inspire are both myriad and blinding, even in pitch darkness, its images linger longest and make the most impact, so it is there that almost any straight analysis should begin. Continue reading “Movie review: “Halloween” (1978)”

Movie review: “Crimson Peak” (2015)

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“You would know. Our little Jane Austen…she died a spinster, didn’t she?”

“I’d prefer to be Mary Shelley, actually. She died a widow.”

Somebody up there likes Guillermo del Toro, and, really, what’s there not to like? The genial Mexican writer-director, to whose name the appellation “visionary” has been a fixture of press releases for the last decade*, is a furious developer of fantastic (both in subject matter and in practice) ideas, a walking film encyclopedia whose eyes light up when he talks about movies – his or anyone else’s – and what feels like one of the few remaining true auteurs in Hollywood, or at the very least the only one working on quite so grand a scale. If he has never achieved commercial success commensurate with his level of artistry, A) that would be asking a lot, and B) he has nevertheless been afforded generally free reign to bring his daydreams and dark fantasies to life, which, in today’s Hollywood, is already something of a miracle. Continue reading “Movie review: “Crimson Peak” (2015)”

Drop the hammer, Hammer the nail: Gennady Golovkin TKO8 David Lemieux

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For a taste of the degree to which boxing was both predominant within and invaluable to the twentieth century sporting landscape, one needs look no further than its numerous, enduring idiomatic contributions to the greater sports lexicon. Most are so subtle and ingrained that we don’t even realize the origin as we say them. “On the ropes,” “down for the count,” “below the belt,” “roll with the punches,” “cornered,” “laying the leather,” “going the distance,” “delivering the knockout blow,” “sucker punch,” “ringside seat,” “throw in the towel,” and so on, to infinity and beyond. It will take generations yet of studied, institutional indifference to effectively work boxing metaphor and terminology completely out of the play-by-play calls of all your other favorite sporting events, particularly on Saturdays and Sundays, and even then only if boxing cooperates by finally succumbing to the all-encompassing “death” that so many observers, whether casual or, more often, anything but, have prescribed and pronounced for it over the past 25 years or so. Continue reading “Drop the hammer, Hammer the nail: Gennady Golovkin TKO8 David Lemieux”