Pure Mexican Vintage: Francisco Vargas D12 Orlando Salido

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Boxing is a sport at perpetual cross-purposes with itself. We, as fans, watch intently, fascinated and occasionally breathless, but also with a palpable, underlying unease. These are impossibly courageous athletes, destroying one another and themselves for our entertainment. We intellectually want the best lives possible for them and their families, now and going forward. We also want war. Intellectually, we can train ourselves to appreciate the all-world tactics and superhuman reflexes of a quick-hitting escape artist like prime Floyd Mayweather, or the thrilling dominance of an overpowering dynamo like prime Manny Pacquiao. Neither man approaches his prime now, of course, and both, by certain accounts, are busy off enjoying their hard-won and well-deserved retirements. Thus scoured of its two biggest names, boxing, as it must, scrambles to manufacture new ones, but also, if it is smart – a fair and open question, if ever one was spoken – works overtime to provide the less starry-eyed among its fan base with the visceral, unadorned combat that is, was, and ever shall be the sport’s lifeblood. Continue reading “Pure Mexican Vintage: Francisco Vargas D12 Orlando Salido”

Concert review: The Dave Matthews Band (rubber match)

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Riverbend Music Center, Cincinnati, Ohio – May 20, 2016

Everyone enjoys his or her “down time” differently. Some people only truly come alive as a part of a group. They seek out others by instinct. Some people travel for the sake of it. Others commune with nature. A raging introvert from the womb onward, I’ve never particularly minded my own company. I love concerts, and movies in the theater, alone or not. Failing that, I tend to hunker down in my bomb shelter of a ground floor apartment and cycle through an array of entertainment options (books, games, music, movies) sufficient to make Chris Hardwick blush. Considering the subject matter this site routinely traffics in, tell me you’re surprised. Being outside isn’t exactly my default mode, though it can actually serve to make me much more appreciative of, excited by, and up for a particularly nice day, just not necessarily to see a show. Despite my friends who love them, I generally despise the obscene quantity to quality/expense to return ratio of all those ubiquitous multi-day summer festivals, preferring, as at any other time of year, to make my showgoing bones day-to-day in intimate, compact, dimly-lit clubs. Continue reading “Concert review: The Dave Matthews Band (rubber match)”

Movie review: “Green Room” (2016)

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“Shouldn’t we be panicking right now?”

“I’m hungry.”

I played drums in a procession of garage metal bands for the final seven years I lived in Tennessee, and, if for no other reason, that period was the unequivocal time of my life so far. Music for us was never the lean existence you so often find romanticized in autobiographies or scene chronicles. We simply didn’t push hard enough. We couldn’t get traction, let alone established, and, instead, just holed up in a humble succession of rooms, writing songs and practicing like our lives depended on it. By the time my first band began playing out, the local scene that I’d found so energizing in my latter days of high school had begun to seriously wane, taking the crowds with it. I never wanted anything more in my life than to be a touring rock drummer, which is why, as the by-product of countless hours of practice time and band meetings and unfulfilled ancillary daydreams over the years, I can relate so strongly to the protagonists of Green Room, a strange but affecting, intriguing but ultimately disappointing, terminally disjointed thriller that takes place in the highly specific, often terrifying, subculture surrounding the underground White Power music scene. Continue reading “Movie review: “Green Room” (2016)”

Movie review: “Captain America: Civil War” (2016)

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“Okay, anybody on our side hiding any shocking and fantastic abilities they’d like to disclose? I’m open to suggestions!”

Well, well, well…isn’t this conspicuous timing. Not even two months after DC Comics attempted to kickstart/defibrillate its own nascent cinematic universe with a wholly fabricated, varicose, mercenary, oft nonsensical apocalyptic grudge match between its two biggest stars, Superman and Batman – who, despite over a century of unparalleled name recognition, had a combined one film of sanctioned warm-up (2013’s grim, pulverizing Man of Steel) between them before the opening bell rang – Captain America: Civil War, the latest – which is to say the thirteenth – entry in the Marvel Cinematic Universe (MCU) lands with all the requisite bad blood and fists a-flyin’ one could possibly want, except, you know, also sane, and coherent, and almost singularly exciting. This, of course, assumes audiences are interested in those sorts of things. Continue reading “Movie review: “Captain America: Civil War” (2016)”

Concert review: Wolf Alice

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A&R Music Bar, Columbus, OH – April 8, 2016

I always knew the line-blurring London indie rock quartet Wolf Alice, who I’ve seen billed more than once in the trades as a beguiling sort of cross between folk and grunge, was the real deal, but I also often found the band too reverential (or, if you like, referential) to the past to be able to endorse its present wholeheartedly, or at least without including that minor complaint as a caveat. My recent cross-genre year-end top twenty albums post, which tagged Alice’s insinuating full-length debut My Love is Cool as the #4 “non-metal” album of 2015, and its #10 longplayer overall, nevertheless damned it with more than a touch of faint praise, mostly for the frequency and dexterity with which the band overtly reminded me of someone else. Time passes, however, whether spent in light reflection or serious rumination, and so often renders such high-minded certainty an elastic, equivocal thing, and its wielder a fool. Continue reading “Concert review: Wolf Alice”

Movie review: “Batman v. Superman: Dawn of Justice” (2016)

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“You see, Clark Joe, what we call ‘God’ depends upon our tribe, because God is tribal. God takes sides! No man in the sky intervened when I was a boy to deliver me from daddy’s fist and abominations. I figured out way back that if God is all-powerful, He cannot be all good. And if He is all good, then He cannot be all-powerful…and neither can you be.”

I began sharpening my metaphorical knives in preparation for Batman v. Superman: Dawn of Justice from almost the moment it was first announced; from the moment Ben Affleck was controversially tapped to slip into the departing Christian Bale’s cowl as the caped crusader; in truth, from the moment the (approx.) fourth hour of Superman origin redux/endurance grit-a-thon Man of Steel’s overbearing climax began and my face more or less went numb. You didn’t need to be a prognosticator to feel something in the wind besides dust and falling debris. There was simply no way that grim, audacious, titanic experience would prove to be a standalone anything. Although technically a Man of Steel sequel, Dawn’s above title billing is surely no accident. Continue reading “Movie review: “Batman v. Superman: Dawn of Justice” (2016)”

Surgical Steel: Andre Ward UD12 Sullivan Barrera

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At the highest level, as well at various other points along the curve, there is an obvious line of demarcation separating the sports observer from the sports participant. Most everyone enjoys athletic endeavors in one way or other, but if big time sports – any or all of them – were particularly easy, most everyone would give them their very best effort, and such effort would often be sufficient to win through. Instead of watching the NCAA Elite Eight or World Championship Boxing on an action-packed Saturday night in late March, broadcast bandwidth would be choked with an endless procession of club teams and pug fighters in rote or at least never especially scintillating matchups, far removed from the presence of legitimate excellence, not to mention any effort to define it. A motivated and/or especially ignorant cynic could easily assert that that is what boxing has become anyway, or, perhaps, has always been. Continue reading “Surgical Steel: Andre Ward UD12 Sullivan Barrera”

Steelers Thoughts #13 (3/23/16): Runaway Baggage Carousel!

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Comedy gold is minable from all corners of the internet at any given time. For instance, I got a chuckle yesterday upon closer inspection of a picture taken Monday at the ongoing NFL Owner’s Meetings in Boca Raton, which assembled 7/8 of the league’s current head coaching fraternity into a canned moment suitable to be immortalized and treasured just shy of forever. I’m ashamed to admit I only fully recognized thirteen of the twenty-eight commandantes in this class picture, including three from the Steelers’ home division*. Jeff Fisher and John Fox canoodled like (only) momentarily interrupted drinking buddies. Rex Ryan looked like he desperately wanted to sell you something from the Bills’ Pro Shop. Bruce Arians looked like he was late for his tee time. Ron Rivera looked like a guy whose team just went to the Super Bowl, though, oddly enough, not as much as did beaming Bengals coach Marvin Lewis, whose team I’m utterly, earthshakingly certain did not. Continue reading “Steelers Thoughts #13 (3/23/16): Runaway Baggage Carousel!”

Parting thoughts on “Downton Abbey”

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WARNING: Massive spoilers ahoy. Tread lightly.

Another picturesque morning dawns at Downton Abbey and finds the extended Crawley clan – Lord Robert Grantham and his wife, Lady Cora; their headstrong and heretofore unattainable daughter Mary, with her freshly pressed husband of less than five cumulative wedded minutes onscreen, the former race car driver Henry, and her young son from a previous marriage, George; their perpetually lightning struck middle daughter turned surprisingly capable modern woman, Edith, and her official “ward” but natural daughter, Marigold; their Irish widower son-in-law, the former revolutionary turned estate agent and erstwhile matchmaker, Tom, with his daughter Sybil (named after his late wife, the Grantham’s youngest daughter); their cousin Isobel, sensible, empathetic mother of the former widow Mary’s late first husband – strolling the grounds and talking idly about this plan or the other, in no particular apparent hurry to get any underway. To see this group of “formers” together, content, convivial, and out of doors, freed of the magnificent bunker that is its ancestral castle and largely unencumbered even by fawning servants, is our first indication that things have somewhat changed Continue reading “Parting thoughts on “Downton Abbey””

Pilot to Bombardier #1 (3/4/16): Girls Love Arrow

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The proliferation of online streaming options may have more or less stabilized, but the biggest services in the game have also expanded both their offerings and scope. More new television is being produced now than at any time in the history of the medium, to say nothing of the numerous worthy series that may have originally fallen through the cracks only to eventually return to compete side-by-side with them for your viewing attention. With a veritable bottomless pit of television choices culled from sources past and current, premium and broadcast, online and terrestrial, making the decision to finally watch one series over another (or, indeed, all of them) can be excruciating. Luckily, all shows, in a throwback to the age when they competed for set airtime rather than free-roaming eyeballs, tend to put their best foot forward with their premiere, or pilot, episode. “Pilot to Bombardier”, then, is a semi-regular column where DAE reviews pilots for a trio of shows pulled from its massive, crushing backlog of as yet unwatched streaming and conventional viewing options in an attempt to determine which definitely deserve a further look and which might be safely discarded. Continue reading “Pilot to Bombardier #1 (3/4/16): Girls Love Arrow”